audioXpress

8 stories

audioXpressStudios & prosBlackmagic Design Unveils Seventh-Order Ambisonic Microphone with Built-in Spatial Encoder Blackmagic Design has announced a seventh-order ambisonic microphone that combines 108 digital MEMS ...

11.11

audioXpressStudios & prosPhil Ward Launches LS3/5X, a Modern Take on the BBC Mini-Monitor British loudspeaker designer Phil Ward has opened orders for the LS3/5X, a compact passive two-way t...

11.11

audioXpressStudios & prosBose Professional Introduces MA3 Micro Array for Compact, Configurable Sound Reinforcement Bose Professional introduced the MA3 Micro Array, a compact, passive modular loudspeaker system desi...

11.10

audioXpressStudios & prosAvid Expands Pro Tools with New Extensions Framework, Local AI Stem Separation, and MPE Support Avid has announced Pro Tools 2026.11, introducing a new Extensions plugin format for integrated soun...

11.06

audioXpressStudios & prosIsoAcoustics Launches GAIA-TITAN Neo Isolators in Retail IsoAcoustics has announced worldwide availability of GAIA-TITAN Neo, extending its latest isolation ...

11.05

audioXpressStudios & prosNomono Opens Spatial Audio Processing to Developers with Labs API Norwegian audio technology company Nomono is extending its recording and production ecosystem with N...

11.05

audioXpressStudios & prosJBL Professional Redesigns 3 Series MkIII Studio Monitors for Desktop and Immersive Production JBL Professional has announced its 3 Series MkIII powered studio monitors and accompanying 310S MkII...

11.04

audioXpressStudios & prosiZotope Introduces Photon for GPU Accelerated Stem Separation and Audio Cleanup iZotope has introduced Photon, a standalone application and ARA2 plugin combining music and dialogue...

11.04

Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

More than three hundred sources, in sixteen languages: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.