DiGiCo

10 stories

DiGiCoLive & DJTate McRae’s Engineers Make the Quantum Jump to DiGiCo Desks NEW YORK CITY – October 2026 – Canadian singer, songwriter and dancer Tate McRae seemed to be everywhere in 2025, as her all-arena Miss Possessive Tour wound its way across three continents over the…

11.10

DiGiCoLive & DJDiGiCo Quantum112 Consoles Let Trinidadian Soca Band Kes Keep It Light Everywhere They Travel SAN FERNANDO, Trinidad – October 2026 – Since being formed in 2005, Trinidadian Soca group Kes have been elevated to mainstream popularity nationally and throughout the Caribbean diaspora thanks to…

11.10

DiGiCoLive & DJSt Paul’s Church raises the bar with two DiGiCo Quantum 225 “ DiGiCo Quantum is an ideal platform for larger churches and other venues where audio quality, ease of operation and long-term flexibility are all critical,” says Mat Stevens, General Manager of…

11.06

DiGiCoLive & DJKLANG Announces KOS 6.1: Reverb Gives In-Ear Mixes a Space of Their Own AACHEN, Germany – November 2026 – KLANG:technologies announces KOS 6.1, the latest update to its operating system and KLANG:app , which gives every mix its own reverb.

11.02

DiGiCoLive & DJEngineers choose DiGiCo Quantum flexibility and power for Raye’s summer of shows Equally at ease in a vast stadium or intimate jazz club, Raye’s performances captivate, whatever the venue.

10.22

DiGiCoLive & DJ3D Productions takes delivery of two DiGiCo Quantum 225 DS, plus two Quantum 326 and Fourier transform.engines “We’re very excited to be receiving the very first Q225 DS consoles !” Hazel exclaims. “It’s a great product and it’s going to fly off the shelf.

10.21

DiGiCoLive & DJDiGiCo Releases Software Upgrades for Quantum112 and Quantum225 Pulse Mixing Consoles CHESSINGTON, UK – 21 October 2026 – Today, DiGiCo announces the immediate availability of new downloadable software upgrades for its two most compact Quantum Range mixing consoles, the Quantum1 12…

10.21

DiGiCoLive & DJWarwick Arts Centre continues to trust DiGiCo with big upgrade for 2026 “We continue to invest in our facilities, thanks to the Warwick University capital fund,” Clare explains.

10.13

DiGiCoLive & DJWAAPA chooses DiGiCo for clarity, flexibility and versatility With a reputation for excellence and one of the most comprehensive offerings for performing arts training in Australia, the WAAPA facility includes vast mixture of performance spaces across the…

10.08

DiGiCoLive & DJRichard Ashcroft’s Engineers Gear up for Summer with DiGiCo “This year we have come from an arena tour almost straight into our summer run, so most of the spec was put together at the beginning of the year and has carried through,” John says.

10.07

Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

More than three hundred sources, in sixteen languages: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.