Integraudio

10 stories

IntegraudioDAW & pluginsHow to Produce Synth Pop in 2026: A Step-by-Step Guide If you want to learn how to produce synth pop, the best

11.05

IntegraudioDAW & pluginsUnited Plugins Royal Compressor XT Review 2026 Royal Compressor XT review: United Plugins puts two vari-mu compressors in one plugin, with L/R, Mid/Side and Low/High modes. Features, sound and verdict.

10.26

IntegraudioDAW & pluginsBest New Plugins – October 2026 Roundup: 16 Essential Releases The best new plugins October 2026 has brought us range from granular

10.26

IntegraudioDAW & plugins10 Best Formant Shifter Plugins in 2026 for Vocals & Sound Design The 10 best formant shifter plugins for 2026, from quick vocal tools like Little AlterBoy to sound-design powerhouses like TIMBRE, plus two free picks.

10.26

IntegraudioDAW & pluginsBaby Audio HyperWarp Review 2026 Baby Audio HyperWarp review: draw stutters, slowdowns and freezes on a time-warp graph, then shape them with seven granular profiles. Our hands-on verdict.

10.26

IntegraudioDAW & pluginsMeldaProduction MTurboFilter Review 2026: A Powerful Filter Lab MeldaProduction MTurboFilter is the kind of plugin that can be as simple

10.09

IntegraudioDAW & pluginsMeldaProduction MDrumCleaner Review 2026: 5 Ways to Kill Drum Bleed MeldaProduction’s MDrumCleaner First Look Drum bleed is one of those problems that

10.08

IntegraudioDAW & plugins10 Best Vocal Rider and Gain Rider Plugins in 2026 I used to solve almost every inconsistent vocal with another compressor. Sometimes

10.08

IntegraudioDAW & pluginsBest New Plugins – September 2026 Roundup: 12 Essential Releases The best new plugins September 2026 has brought us are a nice

10.08

IntegraudioDAW & pluginsProducing Alt Pop Producing Alt Pop is all about balance: keep the catchy hooks and

09.27

Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

More than three hundred sources, in sixteen languages: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.