iZotope Blog

9 stories

iZotope BlogMakersHow to make your voice sound better when recording People are often surprised the first time they hear a recording of their own voice. How we sound to others is very different from how we think we sound, partly because our voice resonates inside our…

11.10

iZotope BlogMakersHow to clean up audio in seconds: the one-pass guide for creators If you're an editor, podcaster, or content creator and you just need a voice to sound clean – without opening a session or learning a restoration suite – this one's for you.

11.03

iZotope BlogMakersIntroducing iZotope Photon: AI stem separation and noise reduction Ever needed just the vocal from a finished song? Or tried to rescue an interview buried under traffic noise?

11.03

iZotope BlogMakersHow to clean up voice recordings for videos, podcasts, and streaming It's never been easier or a better time to be a content creator. Between your phone or laptop, you truly have everything you need to build a big audience.

11.03

iZotope BlogMakersVote for iZotope RX 12 in the SOS Awards 2027 When a take is ruined by hum, bleed, or a passing siren, you know where to turn. Now you can return the favor.

10.30

iZotope BlogMakersA note from Boris on what’s next Hello, iZotope Community, As we celebrate iZotope’s 25th anniversary, I wanted to take a moment to introduce myself personally.

10.29

iZotope BlogMakersJohnnie Burn on Digger: Mixing satire and cleaning VistaVision noise with iZotope RX Bringing a vision to life requires finding the perfect balance between story, performance, and technical precision.

10.28

iZotope BlogMakersMic bleed: how to prevent it, remove it, and use it in your mix Ever isolate a vocal and come across an unwelcome instrument in the mix? That, my friend, is mic bleed: sound from one source picked up by a mic meant for another. It isn't always bad.

10.27

iZotope BlogMakersInside Factory Underground: How Kenny Cash bridges ADR, TV post, and jam band production Located about an hour outside New York City, Factory Underground has evolved into a powerhouse recording complex housing four control rooms, a soundstage, and a SAG-approved ADR/VO operation.

10.21

Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

More than three hundred sources, in sixteen languages: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.