Music Business Worldwide

3 stories

Music Business WorldwideIndustryReservoir expands copyright lawsuits against Suno and Anthropic to more than 2,500 songs combined Reservoir first sued the two AI companies in October Source

11.13

Music Business WorldwideIndustrybeatBread forms advisory board including executives from Meta and Suno Announcement follows the appointment of Andreea Gleeson as CEO of beatBread in September Source

11.12

Music Business WorldwideIndustryNVIDIA’s venture arm asks court to block UMG and Sony’s demand for testimony in Suno lawsuit, calling itself a ‘passive minority investor’ NVentures says it has already handed the labels 6,324 documents running to 28,194 pages. Source

11.12

Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

More than three hundred sources, in sixteen languages: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.