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XLR is a magazine, a radar and a diary about music gear and the making of music — for the people who make records and put on shows, wherever they do it.

The name is the three-pin connector that every signal in the business passes through: the microphone on stage and in the booth, the line to the desk, the DMX cable that runs the lights. Studio, stage and lighting rig share it, and so does this magazine. Every few hours XLR collects what the makers shipped, what the reviewers heard, what the studios and the touring crews are doing, which producers and collectives are surfacing and what they are saying — synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lights, the rooms and the people — from a few hundred sources in English, German, French, Spanish, Japanese and more, then plots what is moving. The editor writes a letter every few days. Nothing is sold here; when a link leads to a shop, that is the maker's shop, not ours.

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Música & MercadoAmericas

Academia ProAudio – Montarbo: formação gratuita para profissionais de áudio

September 11

A Academia ProAudio – Montarbo nasce por iniciativa da Montarbo com o objetivo de impulsionar a formação e o desenvolvimento de profissionais de som na América Latina. Com presença crescente e uma rede de distribuidores

Read at Música & Mercado ↗

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Academia ProAudio – Montarbo: formação gratuita para profissionais de áudio

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