Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

No TrebleGuitars

Adam Ben Ezra Takes Upright Bass Looping to Another Level on “Where’s the Exit”

11.01

Adam Ben Ezra has a way of making one upright bass sound like much more. Watch his creative looping approach in a live performance of “Where’s the Exit.”

Bass

Read at No Treble ↗

One letter a week, starting soon.

Latest

Adam Ben Ezra Takes Upright Bass Looping to Another Level on “Where’s the Exit”

Related

GuitarsBrian Bromberg Talks Piccolo Bass, Groove, and Starting Over on "Awakening" No Treble

GuitarsBrady Watt Reunites with Gary Clark Jr. for Bass & Bars Episode 88 No Treble

GuitarsHaken Brings “in a fever dream” to North America With Freddie Draper on Bass No Treble

GuitarsWatch Ozzy Osbourne’s Final “Mr. Crowley” Performance with Mike Inez on Bass No Treble

GuitarsOn Bass: Humble and Hustle Premier Guitar

GuitarsWintergrass Sessions: The Fretless Fretboard Journal