Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

More than three hundred sources, in sixteen languages: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

The Indian Music DiariesAsia

Albela’s ‘Beetta Waqt Hi Dawai Hai’ Blends Atmospheric Soundscapes With Haunting Delivery

10.26

This year, the Indian music scene has kept evolving new sounds, new voices, and more artists willing to take risks with how they say things.

Mixing & mastering

Read at The Indian Music Diaries ↗

One letter a week, starting soon.

Latest

Albela’s ‘Beetta Waqt Hi Dawai Hai’ Blends Atmospheric Soundscapes With Haunting Delivery

Related

DrumsAudioPrism puts stem separation on the desktop Digital Drummer

EuropeSpectraLayers Pro 13 im Test: KI-Werkzeug für Stimme, Unmixing und Sounddesign Beat Magazin

Studios & prosAES Show Nashville panel to explore live entertainment delivery in Dolby Atmos® Audio Engineering Society

Live & DJDiGiCo Releases Software Upgrades for Quantum112 and Quantum225 Pulse Mixing Consoles DiGiCo

MakersInside Factory Underground: How Kenny Cash bridges ADR, TV post, and jam band production iZotope Blog

Makerssonible joins Complete Access Sonible