XLR

Latest

On the calendar

· Trade shows and launch events, this week's stories from each corner of the industry, and what its press is covering.

On view

This week, from that corner the newest stories from the corner of the industry you picked

The wire their own posts, translated

How records get made in 2026 from the industry's own reports

Sources

Fetched every three hours, linked to the original

About

XLR is a magazine, a radar and a diary about music gear and the making of music — for the people who make records and put on shows, wherever they do it.

The name is the three-pin connector that every signal in the business passes through: the microphone on stage and in the booth, the line to the desk, the DMX cable that runs the lights. Studio, stage and lighting rig share it, and so does this magazine. Every few hours XLR collects what the makers shipped, what the reviewers heard, what the studios and the touring crews are doing, which producers and collectives are surfacing and what they are saying — synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lights, the rooms and the people — from a few hundred sources in English, German, French, Spanish, Japanese and more, then plots what is moving. The editor writes a letter every few days. Nothing is sold here; when a link leads to a shop, that is the maker's shop, not ours.

← XLR Archive

MusicRadarGear

“He was very keen and a bit too excited... I didn't like the idea of: 'Now here’s another album'": Tony Iommi on why he turned down the opportunity of one final Sabbath album with original line-up

September 14

Black Sabbath could have recorded one final album with the original lineup. But according to Tony Iommi, he passed on the opportunity. That’s what the guitarist has said in a new interview with Classic Rock . The final S

Read at MusicRadar ↗

Also covered by: Guitar World

“He was for me what Elvis probably was for most other people. His style on every level was fantastic. Doing all the things we would later come to associate with Jimi Hendrix”: Buddy Guy at 90 – how the world’s greatest living bluesman transformed guitar

Gear“He was for me what Elvis probably was for most other people. His style on every level was fantastic. Doing all the things we would later come to associate with Jimi Hendrix”: Buddy Guy at 90 – how the world’s greatest living bluesman transformed guitar MusicRadar

One letter a week, in your inbox.

Latest

“He was very keen and a bit too excited... I didn't like the idea of: 'Now here’s another album'": Tony Iommi on why he turned down the opportunity of one final Sabbath album with original line-up

Related

Gear“He was for me what Elvis probably was for most other people. His style on every level was fantastic. Doing all the things we would later come to associate with Jimi Hendrix”: Buddy Guy at 90 – how the world’s greatest living bluesman transformed guitar MusicRadar