Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

More than three hundred sources, in sixteen languages: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

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Heritage Audio : HA-81A EQレビュー【 1073のプリと1081のEQを1台に】（1/2）

11.12

Heritage Audio の HA-81A EQ は、Neve 1073 系のマイクプリアンプと、Neve 1081 系の4バンド EQ を1台にまとめたチャンネルストリップです。ビンテージの Neve 1081 を所有し、同機にインスパイアされたアウトボードの開発も手がけるエンジニアの門垣良則氏が解説します。

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Heritage Audio : HA-81A EQレビュー【 1073のプリと1081のEQを1台に】（1/2）

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