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· Trade shows and launch events, this week's stories from each corner of the industry, and what its press is covering.

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This week, from that corner the newest stories from the corner of the industry you picked

The wire their own posts, translated

How records get made in 2026 from the industry's own reports

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Fetched every three hours, linked to the original

About

XLR is a magazine, a radar and a diary about music gear and the making of music — for the people who make records and put on shows, wherever they do it.

The name is the three-pin connector that every signal in the business passes through: the microphone on stage and in the booth, the line to the desk, the DMX cable that runs the lights. Studio, stage and lighting rig share it, and so does this magazine. Every few hours XLR collects what the makers shipped, what the reviewers heard, what the studios and the touring crews are doing, which producers and collectives are surfacing and what they are saying — synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lights, the rooms and the people — from a few hundred sources in English, German, French, Spanish, Japanese and more, then plots what is moving. The editor writes a letter every few days. Nothing is sold here; when a link leads to a shop, that is the maker's shop, not ours.

← XLR Archive

Acoustic GuitarGuitars

How Ben Garnett Turns the Acoustic Guitar into the Engine of a New Kind of String Band

August 5

The guitarist and composer succeeds in making the kind of music that Duke Ellington approvingly called “beyond category.”

Electric guitars & amps Acoustic guitars Studios & rooms Interviews and Profiles Spring 2026

Read at Acoustic Guitar ↗

Makers2nd Generation of Guitars Featuring TransAcoustic™ Technology Expanded with New Lineup Yamaha TransAcoustic Guitar TAG1 C, TAS1 C, TAG1E, and TAS1E Yamaha Music News

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How Ben Garnett Turns the Acoustic Guitar into the Engine of a New Kind of String Band

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