Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

More than three hundred sources, in sixteen languages: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

Native Instruments BlogMakers

How Darin Epsilon’s workflow with Massive X and Monark keeps Perspectives Digital moving forward

04.15

Darin Epsilon reflects on 15 years of Perspectives Digital, exploring how his production evolved with tools like Massive X and Monark while shaping one of Melodic Techno’s most respected labels.…

Read at Native Instruments Blog ↗

One letter a week, starting soon.

Latest

How Darin Epsilon’s workflow with Massive X and Monark keeps Perspectives Digital moving forward

More from Native Instruments Blog on XLR MAG

MakersThe 110 best free Kontakt instruments in 2026 Native Instruments Blog

MakersRyan Lott on the living sound of LCO Producer Strings Native Instruments Blog

Makers2026 NI community roundup: from the studio to the stage Native Instruments Blog

MakersLearn how Andre Samuel and Daylight kept Mon Rovîa’s Bloodline sounding natural and clean Native Instruments Blog