Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

More than three hundred sources, in sixteen languages: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

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Rupert Neve DesignsStudios & pros

Jimmy Chamberlin’s Drum Studio

09.02

An interview with Smashing Pumpkins’ drummer Jimmy Chamberlin and his engineer Chris Gelin.

Drums & percussion Studios & rooms

Read at Rupert Neve Designs ↗

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DrumsMMMF’s annual benefit concert to host Tribute to Keith Moon with special guest drummers Gregg Bissonette and Stephen Perkins on November 1st at Central Machine Works in Austin Modern Drummer

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