XLR

Latest

On the calendar

· Trade shows and launch events, this week's stories from each corner of the industry, and what its press is covering.

On view

This week, from that corner the newest stories from the corner of the industry you picked

The wire their own posts, translated

How records get made in 2026 from the industry's own reports

Sources

Fetched every three hours, linked to the original

About

XLR is a magazine, a radar and a diary about music gear and the making of music — for the people who make records and put on shows, wherever they do it.

The name is the three-pin connector that every signal in the business passes through: the microphone on stage and in the booth, the line to the desk, the DMX cable that runs the lights. Studio, stage and lighting rig share it, and so does this magazine. Every few hours XLR collects what the makers shipped, what the reviewers heard, what the studios and the touring crews are doing, which producers and collectives are surfacing and what they are saying — synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lights, the rooms and the people — from a few hundred sources in English, German, French, Spanish, Japanese and more, then plots what is moving. The editor writes a letter every few days. Nothing is sold here; when a link leads to a shop, that is the maker's shop, not ours.

← XLR Archive

The WireScenes

Jon Brion: Sad Waltzes, Empathic Embrace and Anxious Fits

September 15

In this latest instalment of the Secret History of Film Music, Philip Brophy considers how Jon Brion’s music engenders sympathy for the flawed characters in Paul Thomas Anderson’s One Battle After Another (20

Read at The Wire ↗

One letter a week, in your inbox.

Latest

Jon Brion: Sad Waltzes, Empathic Embrace and Anxious Fits

Related

ScenesJoseph Stannard presents Adventures In Sound And Music The Wire

ScenesUnlimited Editions: Aspen Edities The Wire

ScenesAgainst The Grain: Listening after Palantir The Wire

ScenesOffice Ambience 512 The Wire

ScenesInvisible Jukebox mix: Pamela Z The Wire

Scenes“Intimately rustic”: Motvind festival reviewed The Wire