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How records get made in 2026 from the industry's own reports

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About

Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

More than three hundred sources, in sixteen languages: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

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Rhythm & Drums MagazineJapan

クリス・デイヴのドラム哲学とは？｜来日を前に掘り下げる独自のスタイルと練習への情熱【アーカイブ】

11.08

いよいよ目前に迫ってきた、変革のグルーヴ・メイカー＝クリス・デイヴの来日。11月17日（火）横浜、19日（木）東京、20日（金）大阪のビルボードライブに登場し、モノネオン、ジャスタス・ウェストとのスペシャル・トリオでステ

Drums & percussion

Read at Rhythm & Drums Magazine ↗

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