Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

More than three hundred sources, in sixteen languages: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

Electronic Music Production PodcastVoices

The Power of Mastering with Jeff Graves

08.11

Jeff Graves is the founder and creator of LuvLang Studios, an online mastering service. LuvLang gives users interactive control and feedback over the mastering process.

Mixing & mastering

Read at Electronic Music Production Podcast ↗

One letter a week, starting soon.

Latest

The Power of Mastering with Jeff Graves

Related

VoicesMixing, Mastering, and Staying Creative with Mike Nikou Electronic Music Production Podcast

VoicesColbert & Fallon: Mixing Music for Late Night TV Twenty Thousand Hertz

MakersInside the Self-Built Atmos Studio of MPG-Nominated Mixer Kurt Martinez Audient

Studios & prosCustomer Spotlight: Vertigo Rupert Neve Designs

MakersWhat Is Gain Staging (and why your mix sounds muddy) Slate Digital

MakersThe Test of Learning: How SAE Amsterdam is Preparing Students for the Immersive Future Audient