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About

XLR is a magazine, a radar and a diary about music gear and the making of music — for the people who make records and put on shows, wherever they do it.

The name is the three-pin connector that every signal in the business passes through: the microphone on stage and in the booth, the line to the desk, the DMX cable that runs the lights. Studio, stage and lighting rig share it, and so does this magazine. Every few hours XLR collects what the makers shipped, what the reviewers heard, what the studios and the touring crews are doing, which producers and collectives are surfacing and what they are saying — synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lights, the rooms and the people — from a few hundred sources in English, German, French, Spanish, Japanese and more, then plots what is moving. The editor writes a letter every few days. Nothing is sold here; when a link leads to a shop, that is the maker's shop, not ours.

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Guitar PlayerGuitars

"They said, 'The secret to singles is 120 beats per minute…' But we're not a single band." The Megadeth album that makes Dave Mustaine feel queazy – and how he’d change it

September 9

Dave Mustaine looked back on a period of Megadeth history in which he said too many mistakes were made – leaving him feeling “queazy“ about the album they’d made. Risk , released in 1999, was their eighth record, but it

Read at Guitar Player ↗

Guitars"The Telecaster is a different animal!” Bruce Springsteen’s onstage sweating kept shorting his guitar out. Here's what he did about it… Guitar Player

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"They said, 'The secret to singles is 120 beats per minute…' But we're not a single band." The Megadeth album that makes Dave Mustaine feel queazy – and how he’d change it

Related

Guitars"The Telecaster is a different animal!” Bruce Springsteen’s onstage sweating kept shorting his guitar out. Here's what he did about it… Guitar Player