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· Trade shows and launch events, this week's stories from each corner of the industry, and what its press is covering.

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This week, from that corner the newest stories from the corner of the industry you picked

The wire their own posts, translated

How records get made in 2026 from the industry's own reports

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Fetched every three hours, linked to the original

About

XLR is a magazine, a radar and a diary about music gear and the making of music — for the people who make records and put on shows, wherever they do it.

The name is the three-pin connector that every signal in the business passes through: the microphone on stage and in the booth, the line to the desk, the DMX cable that runs the lights. Studio, stage and lighting rig share it, and so does this magazine. Every few hours XLR collects what the makers shipped, what the reviewers heard, what the studios and the touring crews are doing, which producers and collectives are surfacing and what they are saying — synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lights, the rooms and the people — from a few hundred sources in English, German, French, Spanish, Japanese and more, then plots what is moving. The editor writes a letter every few days. Nothing is sold here; when a link leads to a shop, that is the maker's shop, not ours.

← XLR Archive

Guitar PlayerGuitars

We review the Warm Audio Dirty Boy Jr. Overdrive, Fuzz and Booster effects pedals: "For players seeking a classic U.K. palette”

September 15

Over the past 15 years, Bryce Young has made a name for Texas-based Warm Audio by effectively resurrecting legendary analog designs whose rarity and lofty prices put them out of the reach of everyday musicians. He began

Pedals & effects Vintage & reissues

Read at Guitar Player ↗

EuropeTone City : la série T-C Classic accueille trois nouvelles pédales Audiofanzine (FR)

DAW & pluginsMorphulus updates Spectrus to v1.6.0 - New NAM Loader, Vintage Opto Phaser, 2 Amps, 3 Distortion Pedals KVR Audio News

GuitarsVox VFZ-1 Fuzz Review Premier Guitar

We review the Positive Grid Spark Pedal Amp and Effects Modeler: “There’s a lot to love here — the fact that it costs under $200 makes it all the more impressive”

GuitarsWe review the Positive Grid Spark Pedal Amp and Effects Modeler: “There’s a lot to love here — the fact that it costs under $200 makes it all the more impressive” Guitar Player

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