XLR

Latest

On the calendar

· Trade shows and launch events, this week's stories from each corner of the industry, and what its press is covering.

On view

This week, from that corner the newest stories from the corner of the industry you picked

The wire their own posts, translated

How records get made in 2026 from the industry's own reports

Sources

Fetched every three hours, linked to the original

About

XLR is a magazine, a radar and a diary about music gear and the making of music — for the people who make records and put on shows, wherever they do it.

The name is the three-pin connector that every signal in the business passes through: the microphone on stage and in the booth, the line to the desk, the DMX cable that runs the lights. Studio, stage and lighting rig share it, and so does this magazine. Every few hours XLR collects what the makers shipped, what the reviewers heard, what the studios and the touring crews are doing, which producers and collectives are surfacing and what they are saying — synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lights, the rooms and the people — from a few hundred sources in English, German, French, Spanish, Japanese and more, then plots what is moving. The editor writes a letter every few days. Nothing is sold here; when a link leads to a shop, that is the maker's shop, not ours.

← XLR Archive

AudiofanzineEurope

Which Groovebox Should You Choose in 2026? 8 Current Models, from the MPC Live III to the Push 3 Standalone

July 23

There have never been so many grooveboxes—nor have they ever been so sophisticated. From portable devices to standalone production stations and performance instruments, here’s our selection of the best grooveboxes availa

Synths

Read at Audiofanzine ↗

One letter a week, in your inbox.

Latest

Which Groovebox Should You Choose in 2026? 8 Current Models, from the MPC Live III to the Push 3 Standalone

Related

EuropeThe 12 best free Synthesizers That Rival Paid Plug-ins Audiofanzine

EuropeWe compared Akai's new MPC XL to the Live III, and the verdict is clear Audiofanzine

EuropeArturia Memory V Review: Does This Reimagining of the Memorymoog Finally Live Up to the Legend? Audiofanzine

EuropeAkai MPC Live III: Just how far can a computer-free production station go? Audiofanzine

EuropeBehringer BMX review Audiofanzine

EuropeThis ASM synth pushes the FM envelope: what's Leviasynth really worth? Audiofanzine

Latest

Which Groovebox Should You Choose in 2026? 8 Current Models, from the MPC Live III to the Push 3 Standalone

Related

EuropeThe 12 best free Synthesizers That Rival Paid Plug-ins Audiofanzine

EuropeWe compared Akai&apos;s new MPC XL to the Live III, and the verdict is clear Audiofanzine

EuropeArturia Memory V Review: Does This Reimagining of the Memorymoog Finally Live Up to the Legend? Audiofanzine

EuropeAkai MPC Live III: Just how far can a computer-free production station go? Audiofanzine

EuropeBehringer BMX review Audiofanzine

EuropeThis ASM synth pushes the FM envelope: what&apos;s Leviasynth really worth? Audiofanzine

EuropeWe compared Akai's new MPC XL to the Live III, and the verdict is clear Audiofanzine

EuropeThis ASM synth pushes the FM envelope: what's Leviasynth really worth? Audiofanzine