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XLR is a magazine, a radar and a diary about music gear and the making of music — for the people who make records and put on shows, wherever they do it.

The name is the three-pin connector that every signal in the business passes through: the microphone on stage and in the booth, the line to the desk, the DMX cable that runs the lights. Studio, stage and lighting rig share it, and so does this magazine. Every few hours XLR collects what the makers shipped, what the reviewers heard, what the studios and the touring crews are doing, which producers and collectives are surfacing and what they are saying — synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lights, the rooms and the people — from a few hundred sources in English, German, French, Spanish, Japanese and more, then plots what is moving. The editor writes a letter every few days. Nothing is sold here; when a link leads to a shop, that is the maker's shop, not ours.

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Modern DrummerDrums

The Drum Kit That Gave Stephen Perkins a New Voice

September 3

After Jane’s Addiction, Stephen Perkins wasn’t looking to repeat himself. His one-of-one 1992 DW Porno for Pyros kit became the instrument that helped him rethink his sound, translate hand percussion to the drum set, and

Drums & percussion

Read at Modern Drummer ↗

MMMF’s annual benefit concert to host Tribute to Keith Moon with special guest drummers Gregg Bissonette and Stephen Perkins on November 1st at Central Machine Works in Austin

DrumsMMMF’s annual benefit concert to host Tribute to Keith Moon with special guest drummers Gregg Bissonette and Stephen Perkins on November 1st at Central Machine Works in Austin Modern Drummer

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The Drum Kit That Gave Stephen Perkins a New Voice

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